Natalia Grincheva (2020). Museum Diplomacy in the Digital Age. London: Routledge. ISBN 978-0-8153-6999-8, 164 pp., £27.99 (paperback).

Subproject of the NWO Smart Culture Grant research project 'The Critical Visitor'.

The pre-master's is a bridging programme for students who have applied for the MA Arts and Culture, but who, according to the Board of Admissions, still have deficiencies in their educational background. Once you have completed the pre-master’s programme, you will be admitted to the relevant specialization…

Leiden Journal of Pottery Studies 21, 2005

Studying archaeology at Leiden University is all about studying societies and cultures from the past, trying to reconstruct them and bring them back to life. The programme offers various specialisations and regional focus areas. You may choose to focus on regions like Europe, the the Mediterranean and…

Studying archaeology at Leiden University is all about studying societies and cultures from the past, trying to reconstruct them and bring them back to life. The programme offers various specialisations and regional focus areas. You may choose to focus on regions like Europe, the the Mediterranean and…

The Heritage Sector at a Crossroads: The way of Intersectionality. This project investigates how heritage institutions can achieve inclusion and accessibility within their organization, collection, and exhibition spaces that meets the breadth of demands placed by today’s “critical visitors.” Fifteen…

The master’s programme in Book and Digital Media Studies introduces you to the history of the written and printed word, and to theories and practices of publishing as well as digital textual media.

In the civil war in Syria, the country's cultural heritage is also under threat. There have been further acts of vandalism in Palmyra and many of the city's museums have been looted. Leiden archaeologist Olivier Nieuwenhuijse's Focus Raqqa project aims to make a digital inventory of the plundered archaeology…

How are people of color represented in art collections? And do young people of color feel that museum collections reflect their norms and values? Developmental psychologist Carolien Rieffe is invited to serve on the Expert Group ‘Musea bekennen kleur’ because of her knowledge of children and young p…

To be eligible for Museum Studies at Leiden University, you must meet the following admission requirements.

Objects and framings of heritage, archives, and academic knowledge production generate worldwide, fierce societal debates on the legacies of colonial violence, past injustice and present-day institutional racism. Whether bronzes from Benin, daggers from Bali, fossils from Java, photo-albums from…

The master’s programme in Arts and Culture at Leiden University is uniquely positioned at the intersection of Art History and Museum Studies. Informed by leading interdisciplinary research, this degree provides you with a strong academic foundation for a variety of careers in museums, galleries and…

If you have a question, there are various ways to get in touch with us.

Do you want to apply for this master’s programme at Leiden University? Find out how to apply for your programme by following the step-by step guide below.

Educators in European science museums sometimes think rather differently about the definition of an 'authentic' object. They think carefully about how they present those objects to teach visitors something or make them curious. This was shown in research by the Science Communication & Society department.…

The type of question that museums ask about objects in their collection influences conversations between parents and children. Researchers from Leiden University and Naturalis Biodiversity Center studied how questions influence conversations. Publication in Visitor Studies on 2 July.

This summer, the COBRA Museum will be focusing on Moroccan art. 'The other story' exhibition presents for the first time Moroccan modernism in the Netherlands. The Netherlands Institute Morocco (NIMAR) contributed to its exhibition

The project ‘Founding an Inclusive Space’ investigates the histories of various LGBT+ archives in the Netherlands, Germany and the United Kingdom.

From Caspar Reuvens to the royal grave in Oss, and from ancient images in the Hortus to a table from Naturalis. The National Museum of Antiquities is 200 years old, and throughout this whole period there have been close contacts between museum and university. Curator Annemarieke Willemsen explains this…

Bringing Dominican indigenous collections back to the community

The exhibition Leiden celebrates – 450 years of parades at Museum De Lakenhal shows how parades and society have changed through the centuries. Alumnus and historian Danielle van Goethem worked on the exhibition. She gives a preview.

The Faculty of Archaeology ranks as the best on continental Europe and is in the top ten of the world. Our master’s degree in archaeology offers the most diverse programme of its type in the Netherlands.

When you apply for admission, you’ll be asked to submit several documents.

The Dutch Center for Travel Writing Studies s a scientific center that develops and coordinates initiatives to promote research into travel writing. It actively seeks contact with external (scientific and social) partners to collaborate on issues surrounding cultural / national identity, cultural contact…

The head of MCS is also Director of the Leiden-based LDE Centre for Global Heritage and Development, President of LeidenGlobal, and staff member of the Heritage and Museums department of the Faculty of Archaeology. Joint activities are being developed at the interface between heritage and museum stu…

The Department of Archaeological Heritage and Society focuses on the relationships between past and present, the role of heritage in society, and how heritage conceived broadly can contribute to improving quality of life.

Soil ecologists Emilia Hannula (Leiden) and Elly Morriën (UvA) received the Golden Medal of Teylers Tweede Genootschap on 5 November. They received the prize for their submission to a competition on sustainable soil management.

The art installation by Peter van der Putten and Jeroen van der Most was selected from nearly 500 submissions for an exhibition on climate change.