896 search results for “music” in the Public website
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The Receiver Grows Restless: Perceiving and projecting musical silence
On November 5, 2021, Guy Livingston will present at an International Colloquium at the University of Lorraine (France), entitled:
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Azure Hiptronics release single and music video 'Ocean's Edge'
Apart from his activities as coordinator of the Academy of Creative and Performing Arts, Rogier Schneemann is co-founder, guitarist and composer of the Dutch-Italian group Azure Hiptronics, originally formed in 2006.
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Relaunch MOOC: 'The Importance and Power of Music in our Society'
This Spring we relaunched our free online course The Importance and Power of Music in our Society.
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The amorphous 6-string
This research intents to redefine the limits of the electric guitar.
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La Cetra Cornuta : the Horned Lyre of the Christian World
What was the stringed instrument known in medieval and early Renaissance Italy as “cetra”?
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Thinking through the guitar: the sound-cell-texture chain
The present study aims to establish and develop guidelines for effective use of the classical guitar’s scoring potential.
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Bob van Oosterhout: ‘Music is the common thread in my life’
In addition to his Film and Literature Studies, Bob van Oosterhout is a bassoonist with several orchestras. He is going to Milan with the student choir and orchestra ‘Collegium Musicum’.
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The globalisation of language in popular music lyrics: A critical approach.
On 7 March, Carlos Roos (lecturer, philosopher, researcher) gave a talk about popular music at Utrecht University, organized by the education committee of Study Association Hucbald (Musicology at Utrecht University).
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Guy Livingston
Faculty of Humanities
g.p.livingston@hum.leidenuniv.nl | +31 71 527 2727
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ACPA alumnus Clarence Charles on functions of calypso music as a cultural expression
Charles wrote an article 'Assimilating Afro Caribbean Carnivalesque Culture' for the publication 'Understanding América. The essential contribution of Afro-American music to the sociocultural meaning of the continent'
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Case study Käte van Tricht (1909-1996)
The Organ Art of the first female German concert organist and Bremen Cathedral organist and
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Richard Barrett: 'To me, music is a way of understanding the world'
A new chair has been added to the partnership between Leiden University and the Royal Conservatoire The Hague. Richard Barrett has been appointed Professor of Research in Creative Music (ACPA) as of 1 December 2020. 'For me it is important that music and academia are not placed in an ivory tower.'
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inspiration: Rhythm, Improvisation and Creativity in contemporary modal music"
ACPA PhD Marina Liontou Mochament will host an online workshop in April.
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Orpheus Institute announces the first MOOC on Artistic Research in Music
A MOOC (Massive Open Online Course) is a free online course available for anyone to enroll. The Orpheus Institute announces its first MOOC on Artistic Research in Music, which will offer an introduction to the most relevant research tools, techniques and methodologies as well as the key concepts of…
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(Musical) Improvisation and Ethics project awarded 1.7 million Euros by Austrian Science Fund
New research project “(Musical) Improvisation and Ethics”, recently awarded 1.7 million Euros by the Austrian Science Fund (FWF)’s Young Independent Researcher Group program.
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PhD defense: Calypso Music, Identity and Social Influence:The Trinidadian Experience
On Tuesday 22 November 2016 at 4.15 PM Clarence Charles will publicly defend his dissertation entitled Calypso Music, Identity and Social Influence:The Trinidadian Experience at the Academiegebouw in Leiden!
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‘Ūd Taqsīm as a Model of Pre-Composition
In this research project Nizar Rohana analyzes and reflects on taqsīm recordings by two leading figures of ‘ūd playing who were pillars of modern Arabic music, namely the Egyptians Muḥammad al-Qaṣabjī (1898-1964) and Riyāḍ al-Sunbāṭī (1906-1981).
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Publication: Artistic Research in Music: Discipline and Resistance - Artists and Researchers at the Orpheus Institute
Book publication 'Artistic Research in Music: Discipline and Resistance' marks the 20th anniversary of the Orpheus Institute..
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Play Well with Others: Performance and Embodiment in Brahms’s Chamber Music with Piano
Anna Scott (ACPA) contributed to the book Rethinking Brahms, edited by Nicole Brahms and Reuben Philips, with a chapter about performance and embodiment in Brahms’s chamber music with piano.
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The relationship between gesture, affect and rhythmic freedom in the performance of French tragic opera from Lully to Rameau
Baroque flautist Jed Wentz followed two years of dancing classes in order to develop the right feeling for the gestures required for the Baroque French opera genre ‘tragédie en musique’. In his dissertation, the links between gesture affect and rhythmic freedom in the performance of the tragédie en…
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Former Court of Appeal president composes music for transfer of rectorate
Maarten Feteris, the former president of the Court of Appeal and an alumnus of Leiden University, composed the piece ‘Intermezzo’ to mark the transfer of the rectorate during the Dies Natalis on 8 February 2021.
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Thresholds of the audible
In our culture, vocal harmonics function as independent musical elements since only a few decades. Thresholds of the audible explores the changing relationship between singers, listeners and harmonics.
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‘The sound of the city became the score for a musical instrument’
Do the sounds that surround you as you cycle through the city sometimes annoy you? Don’t worry, because we can actively change the situation, says sound expert Edwin van der Heide. Students in his Honours Class are actively shaping the sound of the city.
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Hafez Ismaili M'hamdi
Faculty of Humanities
h.ismaili.mhamdi@hum.leidenuniv.nl | +31 71 527 2727
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Speed of Silence at Maastricht Centre for the Innovation of Classical Music (MCICM) Symposium, Towards 2040
ACPA researchers Ned McGowan and Guy Livingston perform The Speed of Silence at the Maastricht University 's digital symposium Towards 2040: Creating Classical Music Futures.
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'Listening as a Multisensorial Experience' in The Oxford Handbook of Western Music and Philosophy
Marcel Cobussen wrote the essay “Listening as a Multisensorial Experience” for The Oxford Handbook of Western Music and Philosophy.
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Musical Jazz
Arts and leisure, Arts and leisure
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Bert Mooiman receives NWO doctoral scholarship
On 20 December 2013, the Netherlands Organisation for Scientific Research (NWO) announced that 37 teachers will be conducting doctoral research funded by a Doctoral Scholarship. Using this scholarship, teachers are enabled, in addition to their educational activities, to conduct research leading to…
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Lecture: Rediscovering an Indian musical tradition- a journey from melody of the present to notation of the past
On April 19th, well-known Indian singer and scholar Sumithra Vasudev will give a unique lecture and singing performance at the Rijksmuseum van Oudheden (National Antiquities Museum) in Leiden.
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Giovanni Girolamo Kapsperger: life and work with special attention paid to basso continuo
The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.
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NIA - Music, Movement, Magic
Arts and leisure, Arts and leisure
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Language and number
Knowledge and culture subproject 2:
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What late medieval chant manuscripts do to a present-day performer of plainchant
This book is witness to Hendrik Vanden Abeele’s research into the development, construction and creation of a present-day performance practice of late medieval plainchant, based partly on his work with the Belgian chant group Psallentes.
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Basso continuo sources from the Dutch Republic c. 1620-c1790
Between 1600 and 1800 countless manuals appeared on the subject: the improvised bass part on the harpsichord, pianoforte or organ. Musician and researcher Kathryn Cok unravels the secrets of the Dutch basso continuo accompaniment for modern-day musicians.
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Interview with Hafez Ismaili m'Hamdi about his course 'From Plato to Pussy Riot'
In the interview by Manu Sinjan, published in Eos Memo, Hafez Ismaili m'Hamdi addresses questions about the changing role of music in society through history, which is also the topic of his course 'From Plato to Pussy Riot'.
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Gabriel Paiuk
Faculty of Humanities
g.paiuk@kunsten.leidenuniv.nl | +31 71 527 7450
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Lina van Drunen
Faculteit der Sociale Wetenschappen
l.van.drunen@fsw.leidenuniv.nl | +31 71 527 2727
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Musical (Singing/dance/theater) | Intermediate/advanced
Arts and leisure, Arts and leisure
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Musical (singing/dance/theater) | beginners/intermediate
Arts and leisure, Arts and leisure
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RED: final presentations Theatre, Music and Dance
Arts and leisure, Arts and leisure
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Malay Singing in Pahang Villages: Identity and Practice
Shafa’Atussara Silahudin defended her theses on 18 May 2021.
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Book launch ‘The promise of music’
Arts and culture, Book launch
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Electives
ACPA offers electives in visual arts, music or music philosophy. As a student of Leiden University or the University of the Arts The Hague* you can choose these electives offered by ACPA.
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Between oral and written tradition- Reconstructing 'lost' singing practices of Quattrocento Italy
What kinds of vocal music were not typically transmitted in written musical notation? Can specific ‘lost’ song forms - siciliane, giustiniane, le Grechesche, gli stili “regionali“ nel canto del quattrocento - be more precisely identified than they have been until now, both in musicological research…
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AI-SUPPORTED SYNTHESIS OF SHEPARD-RISSET FREQUENCY SETS
Implementation of the new sound synthesis and analysis method in music composition.
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Honorary Doctorates
In 2005 and 2015 the Leiden University Academy of Creative and Performings Arts awarded two Honorary Doctorates.
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The Apinaye teaching and learning process as observed in the manufacturing of their musial instruments
This dissertation aims to establish a dialogue between ethnomusicology (more specifically indigenous organology), the anthropology of art and the culture of the Apinaye peoples, in order to understand how the musical objects of these peoples are learned and taught, and thus to understand its musical…
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Klankwerelden - The 20th century of Reinbert de Leeuw
Worlds of sound is important for everyone who is interested in listening to music of the 20th century or for anyone involved in studying or performing contemporary music. The central question is how to interpret music in case the performer is not willing to depend on personal taste or conventions.
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Sound & Score – Essays on Sound, Score and Notation
Sound & Score brings together music expertise from prominent international researchers and performers exploring the intimate relations between sound, score and notation, and the artistic possibilities that this relationship yields for performers, composers and listeners.
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Knowledge and creation in historical performance practice- Inextricable partners in the tacit dimension
Johannes Boer's research intends to question the way explicit knowledge is applied in order to restore and perform music from the past with the intention to get as close as possible to its original meaning.