3,119 search results for “creative resilience” in the Public website
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Anna ScottFaculty of Humanities
a.m.scott@kunsten.leidenuniv.nl | 071 5272727
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Anja GrotenFaculty of Humanities
a.groten@kunsten.leidenuniv.nl | 071 5272946
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Alexander CromerFaculty of Humanities
a.n.cromer@kunsten.leidenuniv.nl | 071 5272727
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Henrik NieratschkerFaculty of Humanities
h.nieratschker@kunsten.leidenuniv.nl | 071 5272727
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James WoodFaculty of Humanities
j.f.wood@kunsten.leidenuniv.nl | 071 5272727
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Li LorianFaculty of Humanities
l.lorian@kunsten.leidenuniv.nl | 071 5272727
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Patrizia BoviFaculty of Humanities
p.bovi@hum.leidenuniv.nl | 071 5272727
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Laura Lauta van AysmaFaculty of Humanities
l.b.w.lauta.van.aysma@hum.leidenuniv.nl | 071 5272727
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Flavia Barbosa PinheiroFaculty of Humanities
f.barbosa.pinheiro@kunsten.leidenuniv.nl | 071 5272727
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Paulo de Sousa DantasFaculty of Humanities
p.r.de.sousa.dantas@kunsten.leidenuniv.nl | 071 5272727
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Edoardo ValorzFaculty of Humanities
e.valorz@umail.leidenuniv.nl | 071 5272727
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Arend StrootmanFaculty of Humanities
a.j.h.strootman@hum.leidenuniv.nl | 071 5272727
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Margaret UrquhartFaculty of Humanities
m.s.urquhart@kunsten.leidenuniv.nl | 071 5272727
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Stephen ShropshireFaculty of Humanities
s.d.shropshire@kunsten.leidenuniv.nl | 071 5272727
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Túlio De Amorim Da RosaFaculty of Humanities
t.de.amorim.da.rosa@kunsten.leidenuniv.nl | 071 5272727
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Alicia Sanchez ReyesFaculty of Humanities
a.r.sanchez.reyes@kunsten.leidenuniv.nl | 071 5272727
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Studium Generale & HOVO
Studium Generale is the platform of Leiden University where science is presented to a broad audience and HOVO offers lectures at university level for people aged fifty and older.
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Interdisciplinary Research Group
The Royal Academy of Art and the Royal Conservatoire together with the Academy of Creative and Performing Arts (ACPA) at Leiden University are developing a new platform for research in and with the arts, with an emphasis on collaboration.
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Pleadings & Memorials
The main objective of the Telders Competition is to challenge students to excel in international law, consequently testing their creativity and powers of persuasion orally and in writing in a friendly competition.
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Giovanni Girolamo Kapsperger: life and work with special attention paid to basso continuo
The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.
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Benelux Association for the Study of Art, Culture, and the Environment
The Benelux Association for the Study of Art, Culture, and the Environment (BASCE) is a platform for all those who are actively engaged in ecocriticism to discuss their various endeavours with peers from different disciplines and an array of intellectual, creative, or activist pursuits.
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Bruno Munari and the invention of modern graphic design in Italy, 1928-1945
Bruno Munari (1907–1998) was a prolific and influential artist, designer, and writer. Alessandro Colizzi’s study is the first extensive, detailed record of Munari’s graphic design production, and as such provides a substantial base for a full understanding of his oeuvre.
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Frans Preumayr's nineteenth century virtuosic bassoon repertoire
Frans Preumayr's nineteenth century virtuosic bassoon repertoire - An approach with a fine Grenser & Wiesner bassoon from Dresden: Issues of material and technique
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Expanded inspiration: metric improvisation and compositional tools in contemporary modal music
How can we enhance inspiration in metric modal improvisation and subsequently, in modal composition?
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The conflict of the faculties : perspectives on artistic research and academia
This dissertation addresses the position of artistic research within academia.
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Public Policy and Innovation
The Public Policy and Innovation department of the Institute of Public Administration focuses on shaping, implementing, and evaluating policy through innovative approaches. Our goal is to tackle complex societal challenges by exploring technological advancements and creative policy tools.
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Hieroglyphs, Pseudo-Scripts and Alphabets: Their Use and Reception in Ancient Egypt and Neighbouring Regions
The Egyptian hieroglyphic script was exceptionally versatile, as becomes clear when studying its multiple uses both within Ancient Egypt and beyond its borders.
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The Cognitive Continuum of Electronic Music
From The Cognitive Continuum of Electronic Music:
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The Game of Continuity
In what way can the qualities of an existing context be used as guiding and enriching principles rather than limiting factors in the process of spatial transformation?
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Traditional Authority and Security in Contemporary Nigeria
This book describes the changing roles of traditional authorities in combatting contemporary security challenges.
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COMPOSING FOR ORGAN AND ELECTRONICS: SPACES AND PRACTICES
My research focusses on site-specific compositional and performance practices of music for organ and electronics and their musical-spatial values.
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Multiple Paths. Towards a Performance Practice in Computer Music
This thesis proposes multiple paths towards the development of a performance practice in Computer Music.
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STRUCTURAL AND EXPRESSIVE FUNCTIONS OF FLEXIBLE TREATMENT OF MUSICAL TIME, IN THE PERFORMANCE OF 19TH CENTURY MUSIC
This research will focus on the relationship between the musical structure and musical time in the performance of 19th century music.
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Joint Research Day 2025 (JRD25)
The Joint Research Day (JRD25) returns for its third edition — a 15-hour programme dedicated to artistic research across the Royal Academy of Art (KABK), the Royal Conservatoire (KC), and the Academy of Creative and Performing Arts (ACPA).
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Giovanni Punto (1746-1803), Cor Basse Virtuoso
His instrument, his technique, his music and his life
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Harmonic duality : from interval ratios and pitch distance to spectra and sensory dissonance
This dissertation derives from the development of tools for algorithmic composition which extract pitch materials from sound signals, analyzing them according to their timbral and harmonic properties, putting them into motion through diverse rhythmic and textural procedures.
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Finding one’s own voice as an indigenous filmmaker
In this dissertation Itandehui Jansen examines the ‘Voice’ of the filmmaker from a political and aesthetic perspective.
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A PHILOSOPHICAL AND PRACTICAL REAPPRAISAL OF MUSICAL TASTE
I would like to investigate what are the philosophical and practical consequences a reappraisal of the 17th-and 18th-century concept of taste may have for general and historical performance practice.
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Projects
Current clients
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Research
SBB research focuses on the complex operational, organisational dynamics of technology-intensive sectors.
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Large Language Models - an in-depth history
An in-depth history of Large Language Models—and what their ubiquity, disruption, and creativity mean from a wider sociopolitical perspective.
- ERC Funding
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The amorphous 6-string
This research intents to redefine the limits of the electric guitar.
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Psychology Lab on Wheels
The mobile lab, the Psychology Lab on Wheels, brings science to the general public!
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Challenging the Myth of Monolingualism
Despite the fact that transnational movement and intercultural encounter are the signs of our present time, questions of belonging and legitimation of citizenship in most West-European countries still largely depend on monolingual norms and the problematic conflation of the idea of a national language…
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Alverata, a present-day, European typeface with roots in the middle ages
The subject of this thesis is Alverata, a twenty-first-century typeface whose design was inspired by the shapes of Romanesque capitals such as those found in inscriptions of the eleventh and twelfth centuries.
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Giovanni Girolamo Kapsperger (ca. 1581 – 1651) : Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material
The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.
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Chordal accompanimental practices on viol from intabulation to realisation
Harry’s research work looks at the techniques and influence of chordal and polyphonic accompaniment on viola da gamba in the sixteenth century.
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‘Ūd Taqsīm as a Model of Pre-Composition
In this research project Rohana analyzes and reflects on taqsīm recordings by two leading figures of ‘ūd playing who were pillars of modern Arabic music, namely the Egyptians Muḥammad al-Qaṣabjī (1898-1964) and Riyāḍ al-Sunbāṭī (1906-1981).
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Tactile Paths: on and through notation for improvisers
Tactile Paths is an artistic research project that aims to expand and articulate the feedback between notation and improvisation in experimental music.